Apply two to three coats. Make sure you wipe off any glaze from the base of your piece before setting it aside to dry.
Typically, three coats are applied. Each dries slowly, hardening as it does so (the glazes contain binders). This provides a stable base for the next one.
Most applications require two coats for a deep, beautiful finish. More than two coats can be applied for obtaining a deeper finish. Surface must be level, dry and free from oil, dust and wax.
Some potters will put their glazed ware straight into the kiln and fire it immediately. However, glaze contains water, and this is absorbed by bisque ware when glaze is applied. Ideally, leave your pottery overnight after glazing to allow this water to evaporate. Or add a pre-heat to your firing schedule.
Brush glazing is a slow process. A brush-on glaze takes longer to dry than dipping. To get the best results when brushing, you need at least three coatings, and you should let the first coat dry out before applying the next layer.
Applying glaze too thickly can cause the glaze to run off the pot, weld lids to pots and pots to kiln shelves, and can result in blistering. Applying glaze unevenly may result in splotches and streaking in both color and texture.
Always let glazes dry between coats. In some cases, you may need to use a fan to dry the work, or leave it out overnight. Make sure you give the last coat of glaze time to dry before loading pieces into the kiln as well.
The glaze should be the consistency of corn syrup. Test the consistency by taking a spoonful from the bowl and drizzle back into the glaze; the drizzled glaze should leave a trail.
Fluid melt glazes will run off ware if applied too thick. Glazes having a thermal expansion lower than the body, and thickly applied on the inside of vessels, can fracture the piece during kiln cooling. Those having a higher expansion than the body will often craze if applied too thick.
Just right is about 'postcard' thickness. Rough guidelines: one dip 'instant' to 8 seconds, or two dips ('instant' to 2 sec. each), or a single pour, or 2-3 coats with a brush with each coat brushed in a different direction and waiting for the first coat to firm up/dry before second coat.
If General Finishes Glaze Effects are applied over a fresh coat of product, such as General Finishes High Performance Topcoat, sanding is optional. If Glaze Effects are applied directly over an older existing finish, prep cleaning and sanding are required to remove dirt, grime, and potential contaminants.
Glaze Coat will fully cure in 72 hours. An additional 1 - 2 coats may be applied after 4 - 5 hours. A third coat can be poured after 24 hours but no longer than 48 hours. If applying in an area where dust or other particles are present, temporary cover or protection may be desired.
Glaze Coat CRAFT is self-leveling. However, if necessary, spread the mixture over the area with a toothpick or small tool. Do not persist in re-spreading the mixture as it sets up, otherwise it will not self-level during the curing action. Do not pour more than 1/8” thick in an application.
After treating myself to some glaze tongs, layering glazes has become much easier. I simply dip in the first glaze and leave a few minutes to dry. Once the sheen has gone and it's touch dry I dip in the second glaze. The next day I rub over the tong marks and wipe clean the base of the pot.
In most cases, you simply apply the glaze to strands after shampooing and leave it on for anywhere between 5 to 20 minutes before rinsing.
*Does Glaze Effects Require Topcoat? Absolutely. All stains and glazes require a sealant. Think of the stain or glaze as the color and the topcoat as protection.
Apply two to three coats. Make sure you wipe off any glaze from the base of your piece before setting it aside to dry.
Your glaze should be the consistency of heavy whipping cream, thick but not too viscous. If you find that your glaze is too thick, try adding small amounts of water slowly, until it reaches the proper consistency. While adding water to your glaze, be sure you are stirring it constantly.
Crawling is caused by a high index of surface tension in the melting glaze. It is triggered by adhesion problems, often caused by bad application. It occurs where a glaze is excessively powdery and does not fully adhere to the surface of the clay.
While icings set quickly and stiffen as they dry, glazes also set but don't harden because of their lower sugar content. Icings and glazes are poured or spooned over cakes and other confections (like cinnamon buns), rather than spread like frosting.
Gives Client a Speedy Service: Like a glossing service, a glaze is ultra-quick and easy to apply. All you have to do is mix the color with the activator, smooth the formula through locks, and allow it to develop for up to 20 minutes.
Glaze adheres best to clean dry pottery. Also, remember kilns hate moisture.
Yes, after applying the Super Color Conditioning Gloss, wash your hair as you would normally do. You don't need to use a mask or a conditioner as the Super Color Conditioning Gloss works as a conditioning treatment. Just make sure you wash your hair until water runs clear!
More Questions About Thickening A Glaze
A glaze that is too runny is the result of too much liquid or too little cooking time. Incorrect ratios of ingredients or thickening agents may also be the cause of a runny glaze.
Let Them Dry
I leave pieces overnight and have an hour hold at 100c at the start of every firing to fully dry out everything.